2018 Artists

2018 Exhibited Artists

Alejandro Arauz, Scanned Forms, 16 x 21 inches, Edition 3, CMYK Serigraphy and Digital (index of 90 still images from ‘Transfer and Take-off: II’ print performance), 2017

Alejandro Arauz, Minor Forms (Pentaptych), 10 x 16 inches each, 50 x 16 inches total, Edition 3 Process: CMYK Serigraphy on plexi lightbox, 2017

Tyanna Buie, No School Screen-Print, 66’’ x 50’’, Hand applied ink on paper, 2017

 

Myles Calvert, Ottoman Empire Series (1), 22 x 30”, Screenprint on Somerset Satin white, 230gsm, 2017

Myles Calvert, Ottoman Empire Series (2), 22 x 30”, Screenprint on Somerset Satin white, 230gsm, 2017

Sara Carter,  Protective Hairstyle , 24” x 24”, Kanekalon on Screenprint, November 2016

Sara Carter, Protective Hairstyle, 24” x 24”, Kanekalon on Screenprint, November 2016

 

Amy Cousins, All The Queerness That’s Fit to Print: The Houston Chronicle 1990, 58” x 47” x 7”, screenprint on mulberry paper made from articles assembled from the artist’s hometown paper, buttons, upholstery foam, and wood, 2016.

Stanislaw Cholewa, Poses 5, silkscreen, 100 x 70 cm, 2017

Stanislaw Cholewa, Poses 9, silkscreen, 100 x 70 cm, 2017

 

Briar Craig, WHITE WASH PRIVILEGE, 41” x 28.5”, ultra-violet screen print, 2017

Dadisi Curtis, Efflictim’s Anguish, 30” x 22”, Serigraphy Halftone CMYK, Acrylic ink on Arnhem 1618, 2017

Hannah Fray, Untitled, 38 cm X 56 cm, Collaged screenprint on Southbank smooth paper, 201

Nadya Eidelstein, Generative Print #1, 9 x 14”, 2017

 

Nadya Eidelstein, Generative Print #2, 9 x 14”, screenprint, 2017

Nadya Eidelstein, Generative Print #3, 9 x 14”, screenprint, 2017

Olivia Fredricks, Sleepless, 5” x 5”, Silkscreen, 2016

Olivia Fredricks, The Nun, 5.5” x 8.5”, Silkscreen, 2017

 

Molly Goldwater, barrier size, 75 x 56 cm, screenprint on paper, 2016

Sheila Goloborotko, Sistema (detail), variable sizes, screenprinted hand-cut Mylar, 2017

Sheila Goloborotko, Sistema, variable sizes, screenprinted hand-cut Mylar, 2017

 

Emily Harter, BEAST WOMAN BULL DYKE PT 2, 11” x 14.5” color screenprint on French Paper, 2017

Matthew Hopson-Walker, Walker, Man of Freedom, Man of Violence, 20" x 15”, Screenprint, 2017

Matthew Hopson-Walker, Universal Spectrum of Ignorance, 29” x 22”, Screenprint, 2017

Mark Hosford, Klaatu Barada Nikto, Screenprint, Metal light up frame, Augmented reality animation), 2017

 

Neah Kelly, Munchie Munchie Pac Man no. 1, 4” x 3” x 2”, silkscreen, recycled silkscreen paper sculpture, hand-stitching, thread, 2016

Amanda Knowles, Bound V, 24 ¾” x 37 ½”, Archival Digital Print with Screenprint, Acrylic, Graphite, & Acrylic on Paper 2016

Amanda Knowles, Bound II, 21 ½” x 36 ½” Archival Digital Print with Screenprint, Acrylic, Graphite, & Acrylic on Paper 2016

 

Michael Krueger, Rose, 13.5” x 16” - 13.5” x 16” (free standing diptych), screenprint, acrylic on linen w/ painted wooden handle, 2016

Rachel Livedalen, Carly, 15” x 11”, collage of lasercut screenprints, 2017

Josh MacPhee, Close Rikers/Build Communities, 3-color screenprinted fabric yardage, 43” tall x 3 meters

Josh MacPhee,  Close Rikers/Build Communitie s, 3-color screenprinted fabric yardage, 43” tall x 3 meters

Josh MacPhee, Close Rikers/Build Communities, 3-color screenprinted fabric yardage, 43” tall x 3 meters

 

Tatiana Potts

Tatiana Potts

Tatiana Potts

Tatiana Potts

 

Powerwasher Magazine

Nick Satinover, One Week In North Adams (1), screenprint with graphite drawing on translucent yupo, Completed during artist-in- residence period at the MASS MoCA

Nick Satinover, One Week In North Adams (2), screenprint with graphite drawing on translucent yupo, Completed during artist-in- residence period at the MASS MoCA

Nick Satinover, One Week In North Adams (5), screenprint with graphite drawing on translucent yupo, Completed during artist-in- residence period at the MASS MoCA

 

Robert Schwieger, Factory Fantasy, 20” x 16”, Screenprint monotype on glass reverse applied with enamels, 2013

Corrie Slawson, The border without the border is hard to fathom, 22” x 31”, Photo Lithography, Screenprint, colored pencil, acrylic and spray paint on paper, 2017

Jillian Sokso, the fate of this is to be destroyed, 21.5” x 12.75” unframed Process screenprint and relief on oxide mitsumata, 2017

Corinne Teed, Mapping the Burrows: Figure 1, 14” x 17” Screenprint, Photolitho, 2017

 

Corinne Teed, Mapping the Burrows: Figure 2, 14” x 17” Screenprint, Photolitho, 2017

Brian Spolans, No Problem, Screenprint on illustrations board on prepared shelf, 11” x 10” x 3.5”, 2015

Tonja Torgerson, The Fall, wheat-pasted directly onto wall installation size varies, screenprint, cut paper & hand-painted elements, 2016